Horror Studies — Volume 1
1.1 Spring 2010
Michael Lee, Editorial
Karen E. Macfarlane, Mummy Knows Best: Knowledge and the Unknowable in Turn of the Century Mummy Fiction
Gary D. Rhodes, Drakula halla (1921): The Cinema’s First Dracula
Robert Spadoni, Strange Botany in Werewolf of London
Larrie Dudenhoeffer, Evil against Evil: The Parabolic Structure and Thematics of William Friedkin’s The Exorcist
Linda Maria Koldau, Of Submarines and Sharks: Musical Settings of a Silent Menace
Tom O’Connor, Uncontrollably Herself: Deleuze’s Becoming-woman in the Horror Films of Michael Almereyda
Tom Wadenius, The Monstrous Masculine: Abjection and Todd Solondz’s Happiness
Interview:
Catherine Spooner, Dark Looks: An Interview With Valerie Steele
1.2 Autumn 2010
J.P. Telotte, Lewtonian Space: Val Lewton’s Films and the New Space of Horror
Matthew A. Killmeier, Modernity’s Enchanting Shadow: The Hall Of Fantasy, Horror Programmes and US Post-War Radio
James Wierzbicki, Lost In Translation? Ghost Music in Recent Japanese Kaidan Films and Their Hollywood Remakes
Stella Hockenhull, Sublime Landscapes in Contemporary British Horror: The Last Great Wilderness and Eden Lake
Steve Jones, Time is Wasting: Con/sequence And S/pace in the Saw Series
Joanne Watkiss, The Horror Of Inheritance: Poisonous Lineage in Bret Easton Ellis’ Lunar Park
Brian Hu, Make a copy, pass it on: The Ring Two and the Ghost of Verbinski
Review:
Horror Zone: The Cultural Experience Of Contemporary Horror Cinema, edited by Ian Conrich, reviewed by Dion Tubrett