Horror Studies — Volume 4
4.1 Spring 2013
Michael Bintley, The Old English Andreas as Urban Horror Narrative
Ross Hagen, A Warning to England: Monstrous Births, Teratology, and Feminine Power in Elizabethan Broadside Ballads
Anthony Camara, Nature Unbound: Cosmic Horror in Algernon Blackwood’s ‘The Willows’
Kevin Clifton, Unraveling Hitchcock’s Rope
Laura Mee, The Re-Rape and Revenge of Jennifer Hills: I Spit on Your Grave
Jonathan Newell, Gleefully Gory: The Aesthetics of Horror and Michael Slade’s Ghoul
Donald L. Anderson, How the Horror Film Broke Its Promise: Hyperreal Horror and Ruggero Deodato’s Cannibal Holocaust”
Mark Featherstone, Coito Ergo Sum: Serbian Sadism and Global Capitalism in A Serbian Film
4.2 Autumn 2013
Special Issue, Paranormal Television
Guest-Edited by Drew Beard
Drew Beard, Introduction: Paranormal TV
L. Andrew Cooper, Demon Media: Horrific Representations of the Transformative Global Image
Murray Leeder, Ghostwatch and the Haunting of Media
Lisa Schmidt, Television: Horror’s ‘Original’ Home
Sarah Juliet Lauro and Catherine Paul, ‘Make Me Believe!’: Ghost-Hunting Technology and the Postmodern Fantastic
Karen J. Renner, Negotiations of Masculinity in American Ghost-Hunting Reality Television
Andrew Zolides, The Truth is in Their Faces: MTV’s Fear and the Rise of ‘Personal Affect’ in Paranormal Horror
Reviews:
Portraiture and British Gothic Fiction: The Rise of Picture Identification, by Kamilla Elliott, reviewed by M. Anne Young
European Nightmares: Horror Cinema in Europe since 1945, edited by Patricia Allmer, Huxley David and Emily Brick, reviewed by Andrew Dorman
TV Horror: Investigating the Dark Side of the Small Screen, by Lorna Jowett and Stacey Abbott, reviewed by David McWilliam