Horror Studies — Volume 10
10.1 Spring 2019
Mark Jancovitch, Introduction
Craig Ian Mann, ‘The beast without: The cinematic werewolf as a (counter)cultural metaphor’
Claire Cronin, ‘Transcendental repair: The ghost film as family melodrama’
Leila Taylor, ‘The amorous annihilation of will: An examination of Georges Bataille’s Death & Sensuality through Bryan Fuller’s Hannibal'
Morten Feldtfos Thomsen, ‘”You start to change when I get in: The Babadook growing right under your skin”: Monstrous intermediality in Jennifer Kent’s The Babadook’
Joshua Schulze, ‘The ornamental and the monstrous: Exploring feminine architecture in Dario Argento’s Suspiria (1977)’
Brooke Bennett, ‘Tough women of the apocalypse: Gender performativity in AMC’s The Walking Dead’
Atene Mendelyte, ‘Thomas Ligottiʼs bungalow universe and the transversal aesthetics of the weird’
Steffen Hantke, ‘Writing horror in the eighties: An interview with Lisa Tuttle’
Book Reviews:
Why Horror Seduces, by Mathias Clasen, reviewed by Meg D. Lonergan
Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film, Dawn Keetley and Angela Tenga (eds), reviewed by Tatiana Prorokova
10.2 Autumn 2019
Special Issue:
Guest Editor: